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just as glee sparkles remember not much lodged friendly in toes grueling to not heed windy-lipped evenings |
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in the dark-winged turning of the raven, the turn triumphed the pitiful moment of bidding farewell, she mentioned in laughing yellow toothless white-creased and wet raven and departing woman |
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sip bourbon slow warm hands hold before the cold settles in her eyes murky-minded iris lingers at the oak- infused pinkened amber liquid fleeing towards cherry-shaped lips but! fail to recall cruel, harsh theft of the child-age body-wonder pour out the glistening elixir, dripping on our jaws, slipping on our lips we lick, and sip again to restrain the cold of recollection |
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once in a while miss me but know. know know the trouble once you past the first, there is no ease i dream of you anything. but the truth--we cannot tell it hasn't unfolded and unfolded for our minds wherever you are wherever you are hard to conquer queen of stone, i am too slow to fly away i want to solve the initial mystery i ain't going nowhere late in the eve, munching rhubarb jam my lips covered in you and i think the stars wept and still, forgive me the ones that would change the wind patterns and you both. the both i love to be free of eros tainted heart-wrench |
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i am unable to pick the right flaw to explode into lust and love to yearn for her and not wish it to tell her my stories before she sleeps to celebrate a kiss on her hand to remember the ache of distance to see know end on the horizon to love her furiously in all the embers of my broken spine to want to promise tracey, are you right? "i vow to come for you, if you wait for me" |
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is it hard for you to remember the days of anything but pain yes, i don't remember what it felt like to not hurt i am not creative or critical, but cretical i am a cretin. |
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think of the distance between that source of light and the empty miles of travel on windy-lipped days in october she begs you to come into the streets |
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is it in you? to keep doing another after another-- a walk around finds the crooks bartering organs in nannies, filching the finder for good blood and bad too, just the way some kid found their spleen lynched right from inside them a little incision and then-someone else can live- but someone else does die. |
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dust rings pattern amidst the candles settling the air sweet smoke swirls read a book and lick wounds |
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to slowshuck the itch of your eyes on my windowsill each daydevil furrows your cheeks into molehills and lights the lantern of kerosine dreams |
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did you know that you are beautiful inside a thumped bedspring, springs you into all my eyes that beg for you everytime you see me everytime you see me you smile and i stumble when your face was close to mine your lips were red and ready blinking away the salt in the you don't love me and i know |
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i dont expect anything but your friendship but i need to tell you that it's been hard for me to pretend that i didn't have any feelings for you and that it was always so taboo and under the table so i just wanted to be honest for a minute with you |
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i am begging, draw with me the sights of |
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oh diabolical flesh! a mystery of delight and ravishment such a little trial to |
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he is a little boy. a little man in a culture stained with the artificial glow of the man that was once a little boy, well, he must be macho. and now the gringos arrive, he does not bat an eye he does not hear the sound of the truck pulling over the earthquaked ground he sniffs some glue and gets high today in the red hot fire of day-time where the fucking chickens stroll everywhere like they don't know they're going to be dinner next week no. only the absence of sound fills his head, when he remembers the past filled with dreams and now the glue is sticky and real and raw the gringos, well, they come and go oh but christ! poverty stays and sets up shop |
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walk the street with me in a dream towards a tower that looks in the direction of heaven down a hill, we can tumble the city walls are tall and riddled with the tumult of the theater of barbarism and sieges but, we can go right in for it is now deserted an enigmatic cloth draped over an arched frame invites us to chance the rhythm of water we fear in our bodies in the direction of the falling light we strain and follow the momentum builds and a single woman holds an amphora balanced atop her head, she gazes back at us, a glance over her shoulder really then we were liquid stirring in her jug, splashing down the sides |
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sound only existing in the movement of light traffic four streets away passed six flags over jesus the local avon factory gone baptist tailgate there, once, i took a lickity-split chance and turned left, not fast enough for the woman in the convo bug that little pod zoomed and crunched me i was sixteen, just a baby gorilla flipping the wheel, the night before my birthday that year i cried til two in my sister's bedroom because something might catch me later in life and i am again in my sister's bedroom, her relics adorn the walls, the lion mask from venice boulevard of broken dreams slouching over the green dresser--underneath that paint my mother used to write phone numbers on the inside door, little secret questions should i scratch off the paint to the old black paint and call the numbers from her vienna romp, a run-away tale out of serial pain, out of lost-sister stain on the marrow of all her bones and moody sicilian eyes, and i am in my sister's room. she is in mine underneath this old aching georgia ranch, and the green summer has eaten us whole, covered us like the gazpacho mom spilled on the diplomats paisley ballet flats. i am in her room and i can't see the walls i filled once covered like wall-paper of my life lyrics to swedish ballads and movies i saw in that strange counter-life in Russia |
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for years i've written for some reason, there is the question of the writer and the reason. what can we ask of ourselves, what can be imagined: she is always beautiful in the summer sun, head tilted towards the mountains. her body long, lithe languishing in the grass that curls sweetly under her, but she is the most herself when her fingers trickle through the soil, nurturing like water the life of the roses. inside her there are bass lines and harmonies, some snicker about string theory and compassion that springs into green and grows. protecting who she is becomes part of who i am, but nothing makes sense |
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that one song played again last night the second the sound waves slice my ears i know i am going to write a poem about the big boys, the one's scott told me never there was talk and talk of the wait, then waiting. violins and piano keys so gaze lazily at the stars it is this song. |
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remind me later, what kept us dancing body waves refracted across body mileau feminine ferocity lingering in the heat of legs swerving, my fingers tap let amber-colored amnesia nestle in honey, it's going to be a long life longing from the side lines to remember what kept me dancing, hands frantic in the air, vapors of soul frothing fresh from the tips of my fingers shooting out the rhythm, the unseeable sound waves pull strings muscles snap snap, i'm beseeching those weary to turn once more turned to movement i'm saving money for plane tickets or bus lines in montreal the space is new, wheels that wheel, roll smooth waiting, but no soon, not soon will she arrive to start the day with me and eat the night with locusts swimming by through summer, we, her and i will be lovers when we meet, i will wait for you, i will allow a standing ovation for the overture in the key of C and my harmonica living in the key of a, when i play i make a flower grow, exploding from green to quiver in the sun begging for sugar, in the aqua asking for water, wait wait for us too reach for the clouds, hungering for room to create a guarded heaven hungering for some variables, some thing to venerate with volume turn turned up, made to stay, maybe longer though in the canyons i hear, nessun dorma acoustical callings, still, remind me later what kept me dancing, love of expression to be the individual swirling the desserts painting my lover in green, blue and silver then pressing her to me, to be symmettrical i am parallel now to movement, i am still only in light waves, shimmering ever in power leans and i believe in a single strand of falling hair and when i tell the truth i love to sit tall for what i believe in the endless come and go, the movement about life the essential renewal, the only truth is evaporating and then condensing, down here i believe in maroon and black canvases going home to kiss the origin where i have been traveling steadfast, to undo to understand, the last time i saw her, she stepped into the slanting rays with a way, already imprinted on me on this body of pain, of pain of love of the essential component of this attachment still, cool nights bared summer days, naked lonely creatures, pushing together in june |
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